Tickets for the Last Supper at Sant'Apollonia | Individual tickets for up to 5 people
Acquista online

• The Cenacolo will be closed to the public until October 30, 2026, to allow for the start of major restoration work.

• Bookings are limited to a maximum of 5 people.

   

• We strongly recommend purchasing your ticket online to ensure direct access to the museum and minimize waiting times. It is always possible to buy a ticket at the ticket office on the day of your visit.

   

• Please book your date and entry time slot in advance, either online or by contacting the Call Center.

   

• PLEASE NOTE: The ticket is valid for one entry on the selected date and during the selected time slot (e.g., if you select the 12:00 PM time slot, entry will be permitted between 12:00 PM and 12:15 PM).

   

• If tickets purchased in advance are not used for reasons not attributable to the organizer, they will not be refunded.

   

• In case of overcrowding, please follow the instructions of the room staff.

The Cenacolo di Sant’Apollonia will reopen on October 31 with a reduced ticket price of €3 and a restricted visitor route, due to the scaffolding installed for the upcoming restoration of Andrea del Castagno's Last Supper fresco.

Currently on display are the preparatory drawings for the great fresco on the room's opposite wall, alongside other mid-15th-century works by Andrea del Castagno. These include a frescoed lunette (and its sinopia) depicting the Man of Sorrows with Angels, a Crucifixion, and the sinopia of the Vision of St. Jerome between Saints Paula and Eustochium.

Visitors can also view fragments of the Stories of the Virgin—remains of frescoes and sinopie originally painted by Andrea del Castagno together with Domenico Veneziano, Piero della Francesca, and Alesso Baldovinetti for the Church of Sant'Egidio. The collection is completed by a Crucifix attributed to Raffaello da Montelupo (son of Baccio, a sculptor and architect active in Orvieto, Florence, and Rome, who also worked under Michelangelo's direction), as well as panel paintings, detached frescoes, and other works by 15th-century Florentine masters such as Paolo Schiavo and Neri di Bicci, all originating from the interior spaces of the vast Benedictine monastery.