David LaChapelle, the great American artist and photographer, comes back, after more than fifteen year, at Palazzo delle Esposizioni with one of the most important and exhaustive retrospective.
There will be more than 150 works on view, some presented for first time in a museum including many large-scale works.
Rome has been a milestone in the artistic life of David LaChapelle. In 2006, during a journey in Italy, the artist has the chance of a private visit of the Sistine Chapel; his artistic sensibility is so unsettled by the beauty and power of Roman art that those elements give the ultimate drive to the necessity of a change of his artistic production.
Until then LaChapelle prefers that his photos would be published on fashion magazines and books, without critical texts.
The goal has never been to restrict to the mere picture, but to reach the broader audience as possible – this is the way to be a pop artist – and lead the lecture of his work on emotional shock level.
LaChapelle pushed his aesthetics to the limit, but in 2006 walked out on the scene.
He turned away from worldliness in order to live in a wild island in the middle of the Pacific Ocean “I said what I wanted to say”.
The exhibition will focus on the works realized by the artist starting from 2006, when he produces the monumental series titled “The Deluge”, which leads to a meaningful turning point in the artistic path of David LaChapelle.
Through the realization of “The Deluge”, modeled after Michelangelo’s impressive fresco in the Sistine Chapel, the artist returns to conceiving works with the unique purpose to exhibit in art galleries and in museums.
A work that is not commissioned and destined to the pages of a fashion magazine or an advertising campaign.
After “The Deluge”, the American photographer begins to produce artwork with new aesthetical and conceptual concerns.
The most evident sign of the change is the vanishing of the human presence in the serial works: the living models, that in all the previous works (the only exception is “The Electric Chair”, 2001, personal interpretation of Andy Warhol’s famous artwork) have had a central part in the composition and in the message embodied by the image, disappear. The “Car Crash”, “Negative Currencies”, “The Earth Laughs in Flowers”, “Gas Stations”, “Land Scapes”, up to the most recent “Aristocracy” series, follow this new aesthetic choice: LaChapelle resoundingly deletes the flesh, what was the previously identifiable element of his art.
To allow the public to know the "origins" of LaChapelle work before “The Deluge”, the exhibition will also include a selection of some of the most renowned and loved photos that made him famous, realized during the decade between 1995 and 2005. A body of work that will gather all the portraits of celebrities, from music to fashion and movies, scenes based on religious themes with surrealistic touches, references to masterpieces of art history and cinema, an artistic production defined by the chromatic saturation and movement, with which the American photographer reached his particular aesthetical style and influenced many artists of the following generations.
In the exhibition there will also be a projection space dedicated to the backstage videos, which, describing the composite process of photo sets construction, clearly reveal as that the artist’s role is extended also to direction and scenic design of his own photos.
David LaChapelle is today one of the most famous and appreciated photographer in the world. Born in Fairfield, CT in 1963, he embraced a post-pop style, in some way surrealist, which makes him unique in the world.
His artworks are exhibited in the most important public and private international collections and in many museums, among those: Musée D’Orsay, Paris; the Brooklyn Museum, New York; the Museum of Contemporary Art, Taipei; the Tel Aviv Museum of Art, Tel Aviv; Los Angeles County Museum of Art (LACMA), Los Angeles; The National Portrait Gallery, London; Fotografiska Museet, Stockholm e The National Portrait Gallery a Washington DC.